Living where I do, I have been looking again at the textures and light on the estuary, the edge of the land and water. And working with glass I have been fascinated by the play of light on the edges (which is why I was waiting for the sun for the best effect.)
I've combined the glass with paper, either rusted or embossed, and, of course, stitched it all together. I can't seem to get out of the habit of sewing things to paper!
This one has paper embossed with fishing line from a tangle I picked up on the shore.
And this one, I rusted the paper using a piece of scrap metal collected a little way up river.
I spent quite a while wondering whether these pieces were perhaps too 'minimal' and worrying that perhaps they looked as if I hadn't done anything much. But then I find that I tend to start off with a busier design and gradually edit it down to something far more restrained; stopping at the right point is the skill I suppose. I think I've got it right...